TaPRA 2019

Temporal Collage: Testimony and Simulation in John Gerrard This paper takes as its starting point the event Simulation, Exercise, Operations, dedicated to John Gerrard’s work and held at the University of Oxford in 2012. The work installed and discussed there, Gerrard’s Exercise... Read More →

Interspecific Interactions: modes of interactivity between sound and movement in collaborative performance Collaboration between practitioners expressing through the mediums of sound and movement is an approach spanning a long history, with more recent endeavours giving rise to... Read More →

(Trans)Presence as the embodiment of disappearance within ‘A Gig A Byte’ performance – the live music experience accessed through the silent disco headphonesThe presentation will introduce the concept of (trans)presence in the context of digital participatory act, where presence... Read More →