TaPRA 2019

Down With The Slave Trade!:The In/Appropriate Other and the 1970s  Performance studies scholar Tavia Nyong’o has written of ways in which to create oppositional distance from difficult or shame-inducing objects of the past is to implicitly work to forget racist (and sexist... Read More →

Chronic time in performance: the influence of chronic illness on notions of temporality and duration in performance art.Mo Pietroni-SpenstPerformance art is increasingly moving away from the traditional view of time as a commodity, examining the social and cultural structuring of... Read More →

Harriet is co-convenor of the TaPRA Documenting Performance working group. She is Senior Lecturer in Drama at De Montfort University, and one of the Editors of Studies in Theatre and Performance.